This much-loved poem by the Elizabethan Jesuit priest and poet Robert Southwell lends itself remarkably well to musical settings. With its symbolism and imagery, and effective use of metaphor, it transports us vividly to the Nativity. In this setting I have tried to capture something of the gentle rocking motion of the crib, whilst attempting to allow a portrayal of the awe, wonderment, mystique, and importantly the humility of this regal birth to emerge along the way.

The setting is idiomatically set for upper voices, with some gently rewarding harmony for singers to enjoy along the way. The piano part needs rhythmic accuracy and careful pedalling, and plays an important role in colouring the scene.